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CASE FILE / 055 — 1917

The Sun That Danced at Fátima

Three shepherd children said a woman of light on a holm oak had promised a sign. On the last appointed day, a crowd of tens of thousands saw the clouds part on a disc of dull silver that could be stared at without pain. It trembled, spun like a firework wheel and seemed to fall toward the earth. The Church called it a miracle. Ufologists later called it the most-witnessed UFO event on record.

Black-and-white photograph of country people on stony ground under a pale sky. A woman in a light headscarf and striped shawl kneels clutching an umbrella, gazing upward beside a kneeling mustached man and a boy with a long stick; other onlookers stand or kneel staring at the sky, and a dense crowd fills the background.
1917
Pilgrims in the Cova da Iria looking up at the sun on October 13, 1917, published in Ilustração Portuguesa on October 29, 1917. The photograph is usually attributed to Judah Bento Ruah, who covered the day for O Século; the magazine credits its pictures to Benoliel. Public domain, via Wikimedia Commons. Cropped to fit.

Three children and a flash of lightning

In 1917 Portugal was a fiercely anticlerical republic, not yet seven years old, and its soldiers were fighting in France. Fátima was a parish of stone-walled hamlets on the dry limestone plateau of the Serra de Aire, and the Cova da Iria was a hollow belonging to the parents of Lúcia dos Santos, a ten-year-old shepherd girl from the hamlet of Aljustrel. On Sunday, May 13, Lúcia was grazing the family’s sheep there with her cousins Francisco and Jacinta Marto, eight and seven. The account the parish priest, Father Manuel Marques Ferreira, took down from them about two weeks later is plain and strange. First they saw “um relâmpago,” a flash of lightning, then another, and then “uma mulher,” a woman, standing on top of a small holm oak. She wore white stockings, a white skirt worked with gold, a white jacket and a white mantle, a gold cord and very small earrings, and she held her hands raised. She told them to come back on the thirteenth of each month for six months. Then, the priest wrote, she “abalou pelo ar acima,” went off up into the air. The children called her simply the Lady; the faithful would call her Our Lady. They went home and could not keep the secret, and by June a few dozen curious neighbors were following them to the tree.

Sepia photograph of three peasant children standing in front of a dry-stone wall with grass along its top: on the left a girl in a dark headscarf, checked blouse and long striped skirt with her hands folded; in the middle a boy in a dark stocking cap, jacket and checked trousers holding a long shepherd’s stick, a cloth bag across his chest; on the right the smallest girl, in a dark headscarf, white blouse and dark skirt, with one hand on her hip.
Lúcia dos Santos, Francisco Marto and Jacinta Marto in 1917. The same picture ran in Ilustração Portuguesa on October 29, 1917, captioned “the three children who say the Virgin spoke with them.” Attributed to Joshua Benoliel. Public domain, via Wikimedia Commons. Image source

Sources: Interrogatórios do pároco de Fátima (maio–julho de 1917)Aparições de Fátima

The small lady in the knee-length skirt

The Lady of the earliest interrogations is not the one on the holy cards. In June she arrived “em linha oblíqua do lado do nascente,” on a slanting line from the east, and her gold-corded skirt “só chegava ao joelho,” came only to the knee. She had black eyes and was “de meia altura,” of middling height. In July, seven-year-old Jacinta told the priest she had seen “uma mulher pequena,” a small woman, the size of a neighbor’s daughter then about fifteen, and that when the woman left, “the sky opened and her feet were left caught while her body was already hidden.” A priest who questioned Jacinta in October wrote down that the Lady was as tall as Virgínia, a twelve-year-old village girl: 1.1 meters. Canon Manuel Nunes Formigão, a professor at the seminary of Santarém who came to question the children in the autumn, recorded two gold cords falling from her neck to a gold tassel at her waist and small yellow rings at her ears. Lúcia told him she sometimes had to look away because “ela às vezes cega,” she is sometimes blinding; Francisco could look at her face only a little “por causa da luz,” because of the light. Formigão confided his own worry to his notes: a Lady whose dress reached only to the knees was “the gravest difficulty” against the apparition being supernatural, and might be “a mystification prepared by the spirit of darkness.”

Sources: Interrogatórios do pároco de Fátima (maio–julho de 1917)Interrogatório do Padre José Ferreira de LacerdaInterrogatórios do Cónego Manuel Nunes Formigão

A voice like a bee

The crowd could not see the Lady or hear her. What some of them heard instead became one of the most quoted details in the case. Maria Carreira, a neighbor later known as Maria da Capelinha, Maria of the Little Chapel, for the chapel she tended, testified in 1923 that in June, when Lúcia spoke to the tree, she heard “uma zunida,” a buzzing, coming from it, without making out a single word. At the end she heard something like the whistle of a firework rocket gathering speed and saw a light cloud rise from the holm oak and drift away to the east, and afterward the top shoots of the little tree were bent eastward, “como se os vestidos os tivessem tombado nessa direção,” as if the Lady’s clothes had pushed them over. In July, a villager named Jacinto de Almeida Lopes heard from the tree “a very faint voice like the buzzing of a bee,” and on October 11, 1917, another villager told Canon Formigão that a rumbling had been heard in July and August and that some people claimed to hear the sound of the answers. The first newspaper notice, in Lisbon’s O Século on July 23, reported a noise “like the rumble of thunder,” quoted the seer describing “a kind of very pretty doll” with a halo that called to her in a thin, melodious voice, and wondered whether the whole business was a scheme to turn the Serra de Aire into a miracle spa to rival Lourdes.

Sources: Processo canónico: depoimentos de setembro de 1923Inquérito paroquialInterrogatórios do Cónego Manuel Nunes FormigãoEspeculação financeira?

The administrator and the thunderclap

On August 13 the children never reached the tree. Artur de Oliveira Santos, the republican administrator of Vila Nova de Ourém, took them from the Fátima presbytery in his carriage and held them in Ourém for two days; Lúcia later said he threatened to fry them in oil. The crowd waiting in the Cova, some five or six thousand by the parish priest’s count that month, saw signs of their own anyway. Leonor de Avelar e Silva Constâncio, who was there, wrote in October that the sky was covered by a light cloud like the finest white lace, pink in places, that the sun hid for an instant and left everyone lit by “uma luz esquisita,” an odd light, with yellow patches on the ground and on their clothes and a sharp drop in temperature. Someone cried out to look at the mist around the tree; to her it looked like smoke rising in light spirals, as if from a perfume burner, and a man from Lapas shouted that he could see the Lady between two clouds. A witness told the 1918 parish inquiry of a loud, inexplicable bang beside the tree that frightened the whole crowd, so that some people fainted, and of a cloud with the colors of the rainbow forming near the sun. Jacinta’s father, Manuel Pedro Marto, swore in 1923 that after the bang he saw dust and mist and “uma espécie de globo luminoso girando nas nuvens,” a kind of luminous globe turning in the clouds. On August 19 the Lady returned to the children at Valinhos, a pasture near their homes. Lúcia’s mother testified in 1923 that the sprig of holm oak her daughter brought back smelled like nothing she had ever smelled, and Jacinta’s mother that her son João, eleven, heard “a roar like a rocket” as the vision left, though he saw nothing.

Sources: Relato de Leonor de Avelar e Silva ConstâncioInquérito paroquialProcesso canónico: depoimentos de setembro de 1923Interrogatório oficial de Lúcia

Stars at noon

By September 13 the crowd had grown to between fifteen and thirty thousand. Constâncio saw only a slight eclipse of the sun, but many around her saw what she called a tiny cloud “como que um pequenino floco de algodão branco,” like a little flake of white cotton, which crossed the sky from east to west like a shooting star and vanished “as if suddenly submerged.” Some said they had seen two such stars, some three. A professor from the Santarém seminary, Dr. António Maria de Figueiredo, came to the parish priest’s house that afternoon expressly to declare that he had seen “stars in a region below the stellar region.” A villager told the 1918 inquiry of falling things that looked like white flowers, which others called stars. In 1922 Inácio António Marques described the sun darkening until the moon and stars showed, and then, very high up and crossing from east to west, “uns corpos muito pequeninos, brancos como a neve,” some very small bodies white as snow: “Some say they were doves, but one could plainly see they were not birds.” The most famous account of the day is also one of the latest. Monsignor João Quaresma, later vicar-general of Leiria, described, in an account Father John de Marchi printed decades later, a luminous globe gliding slowly and majestically from east to west, and a little girl beside him crying that the Lady was rising again. Asked what he thought the globe was, his companion answered that it was Our Lady. Quaresma’s own conclusion was the sentence that ufologists would quote for decades: the children had seen the Mother of God, and “we had been granted the grace of seeing the carriage that had carried her from Heaven to the barren heath of the Serra de Aire.”

Sources: Relato de Leonor de Avelar e Silva ConstâncioInquérito paroquialDepoimento de Inácio António MarquesA Verdadeira História de Fátima

Rain on the Cova da Iria

Lúcia had said that on October 13 the Lady would perform a miracle “so that everyone would believe,” and the promise was national news. O Século, the country’s largest daily and no friend of the Church, sent its star reporter Avelino de Almeida with the photographer Judah Bento Ruah. Along the road above the Cova, Almeida reported, someone counted more than a hundred automobiles and more than a hundred bicycles; a boy from an open motor coach told him that all he had seen at the Cova was “stones, carts, cars, horses and people.” At about ten the sky closed completely and it began, in Almeida’s words, to rain in earnest. It had rained in the night for the first time in months, Constâncio noted, and the fields were parched. Tens of thousands of people waited in the mud under umbrellas, wet through, singing and praying; Almeida cited dispassionate estimates of thirty or forty thousand. Even the hour was in dispute. Portugal had moved its clocks to match the warring powers, while country people kept to what Almeida called “a hora antiga,” the old hour; Constâncio was told it was “the true one.” The children arrived after one by the official clock, close to solar noon.

Grainy wide halftone photograph of a long line of people, mostly women in long skirts and shawls, standing under pale open umbrellas at the edge of a scrubby slope, with more umbrellas massed up the hill behind them and a vertical seam where two magazine pages meet.
“The people sheltering under their umbrellas”: the crowd waiting in the rain on the morning of October 13, 1917, from Ilustração Portuguesa, October 29, 1917. Photo usually attributed to Judah Bento Ruah. Public domain, via Wikimedia Commons. Image source

Sources: Coisas espantosas! Como o sol bailou ao meio dia em FátimaRelato de Leonor de Avelar e Silva ConstâncioCartas de Gonçalo de Almeida Garrett e relato de José Maria de Proença de Almeida GarrettO milagre de Fátima (Carta a alguém que pede um testemunho insuspeito)

A plate of dull silver

Almeida filed from Ourém that night, and O Século printed his story on October 15 under the headline “Coisas espantosas! Como o sol bailou ao meio dia em Fátima,” Astonishing things! How the sun danced at midday at Fátima. The rain stopped, he wrote, and the whole vast crowd turned toward the sun, standing free of cloud at the zenith. “O astro lembra uma placa de prata fosca”: the orb looked like a plate of dull silver, and one could stare at its disc without the least effort. “Não queima, não cega.” It did not burn; it did not blind; it was as though an eclipse were under way. Then a colossal shout went up, and before the dazzled eyes of the people “o sol tremeu,” the sun trembled, and made sudden movements never seen before, “outside all cosmic laws”; the sun “danced,” in the peasants’ phrase. Others, Almeida reported, swore it spun on itself like a firework wheel, or dropped almost low enough to scorch the earth, or changed color one shade after another. On the step of the Torres Novas motor bus an old man recited the Creed aloud with his face to the sun. That same evening, in a letter from Monte Redondo, a priest named Manuel Pereira da Silva described the sun with a sharp rim coming down as far as the clouds and spinning “like a wheel of fire” for more than eight minutes, while everything went almost dark and every face turned yellow, and the whole crowd knelt in the mud. A woman from Coimbra felt heat “as if we had walked into a heated greenhouse” as the sun came lower and lower, turning silver, then bright purple, red and emerald green.

Wide halftone photograph of a vast packed crowd of dark hats and headscarves stretching back to a line of trees; left of center a tall rustic wooden arch topped by a small cross, with two lanterns hanging from its crossbar, rises above the heads, and many people in the foreground look upward and shade their eyes; a faint vertical seam runs down the middle where two magazine pages meet.
The crowd near the apparition tree on October 13, 1917, with the rustic arch hung with lanterns that villagers had put up over the site. Ilustração Portuguesa captioned it as the multitude beginning “to look at the sky, waiting for the sign from God.” Photo usually attributed to Judah Bento Ruah. Public domain, via Wikimedia Commons. Image source

Sources: Coisas espantosas! Como o sol bailou ao meio dia em FátimaCarta do Padre Manuel Pereira da SilvaRelato de Maria Augusta Saraiva Vieira de Campos

A disc cut from mother-of-pearl

The most careful eyewitness account came from José Maria de Proença de Almeida Garrett, whose father, the Coimbra mathematician Gonçalo de Almeida Garrett, quietly suggested that Canon Formigão ask him for it. He did so on December 18, 1917, apologizing that two months had passed and he had taken no notes. He stood on the road about a hundred meters from the tree and went by official time. Three times, as the crowd prayed, he saw a thin bluish column of smoke rise straight up from where the children were, a couple of meters above the heads, and then vanish; he assumed it was a censer, and was told later that nothing had been burned. When the sun came out through thin cirrus, he rejected the comparison he had heard at Fátima to a disc of dull silver. It was brighter and richer than that, he wrote, with shifting tints like “the orient,” the luster, “of a pearl,” sharp-edged “like a gaming board,” “a burnished disc cut from the mother-of-pearl of a shell.” The disc began to whirl on itself at a furious speed. Then, as a cry went up, “o sol, conservando a celeridade da sua rotação, destaca-se do firmamento e sanguíneo avança sobre a terra”: the sun, still spinning, broke away from the sky and came blood-red toward the earth, threatening to crush them under the weight of its huge fiery millstone. “They were seconds of terrifying impression.” At one point the whole landscape turned amethyst, down to the shadow of an oak; he covered his eyes to test for damage to his retina, and the purple remained. Later everything went the color of old yellow damask, and the people around him looked sick with jaundice. A peasant beside him said in amazement, “This lady is yellow.” Days afterward he stared at the sun on purpose to compare, and saw only irregular yellow blotches that moved with his gaze.

Sources: Cartas de Gonçalo de Almeida Garrett e relato de José Maria de Proença de Almeida Garrett

The globe that shook with electricity

Not everyone described the sun at all. A Viseu woman writing as “J.” in the Correio da Beira of November 10, 1917, said that at one o’clock, where the cloud had drawn back, “apareceu um globo, prateado,” a silvery globe appeared, making a small turn and showing here and there through the clouds, three times at intervals of three or four minutes. A brilliant red cloud or flame covered it, and then “that globe or sphere shook nervously as if driven by electricity” and seemed to swell, as if it wanted to plunge down to the earth, or to speak to it. João Maria Lúcio Serra, writing that November, saw soft beams of light of an oval shape standing at equal distances around the red-orange horizon, reflected on the ground. Maria Carreira testified in 1923 that her daughter, standing on a stone a meter from the tree, felt a blow on the face and saw a beautiful light, and that she herself saw “uma bola, não inteiramente redonda, como um ovo,” a ball not quite round, like an egg, in the colors of the rainbow but far brighter, with a tail a meter and a half long, which passed quickly close to the holm oak and vanished a hand’s breadth from the ground. Among sixteen villagers who gave sworn statements at Porto de Mós on October 25, one saw Our Lady with the Child Jesus on her left arm. Lúcia herself, she told the parish priest three days later, had seen a sequence of figures beside the sun: Saint Joseph with the Child, Our Lord, and the Lady in several guises. She also told the crowd, by several accounts, that the war would end that day and the soldiers would soon be home. It did not end for another thirteen months.

Scanned magazine page with ornate art-nouveau floral borders under the headline “O MILAGRE DE FÁTIMA”: a wide photograph at the top shows a row of standing country people shading their eyes and staring upward, three smaller photographs of kneeling and standing pilgrims sit below it, and columns of Portuguese text fill the rest of the page.
The first page of Avelino de Almeida’s “O milagre de Fátima,” his open letter to “someone who asks for an unsuspect testimony,” in Ilustração Portuguesa no. 610, October 29, 1917. Here he wrote of the sun dancing a “violent and convulsive” dance, and left the rest “to Science and the Church.” Public domain, via Wikimedia Commons. Image source

Sources: Relato publicado no Correio da BeiraRelato de João Maria Lúcio SerraProcesso canónico: depoimentos de setembro de 1923Depoimentos de testemunhas de Porto de MósInterrogatórios do pároco de Fátima (maio–julho de 1917)Interrogatórios do Cónego Manuel Nunes Formigão

From apparition to UFO

For forty years Fátima belonged to the Church. The earliest explicit saucer reading on record appeared in the Australian Flying Saucer Review in September 1960, beside an article titled “Angels Are Men from Space”: at noon, it said, a bright disc “taken by many for the sun” appeared at the zenith, and it could not have been the sun, “because the eyewitnesses looked at it without being dazzled.” It illustrated the point with what it called Alfredo de Fendrica’s “contemporary photograph” of the sky at Fátima. The sun photographs cited in the 1930 canonical report, the Sanctuary’s editors note, were taken by Alfredo J. de Mendonça on May 13, 1921. In Paris in 1962 the songwriter Paul Misraki, writing as Paul Thomas, argued in Les Extraterrestres that religious miracles, Fátima above all, could share a cause with modern saucer sightings; Jacques Vallée, who visited him that September, noted that a Catholic bishop had told Misraki his reading was perfectly valid.

Sources: Sky Phenomenon at FatimaRelatório da Comissão CanónicaForbidden Science: Journals 1957–1969

Vallée’s Fátima

Vallée built the case into ufology’s canon. In Anatomy of a Phenomenon (1965) he wrote of “a silvery disk which flew through the sky” before seventy thousand witnesses, and quoted the Spanish writer Antonio Ribera comparing the Lady to a white explorer passing himself off as “the great white god” to win the trust of natives. In Passport to Magonia (1969) he counted Fátima among church-recognized cases that are “nothing more than UFO phenomena.” In The Invisible College (1975) he laid out the whole sequence as a UFO case: luminous spheres, heat waves, the “falling-leaf” motion of a saucer, the bee-like buzzing that he called “a typical sound associated with modern-day UFOs,” two skeptical priests on September 13 whom he nicknamed, in ufology’s own jargon, “men in black,” one of whom called the globe “a heavenly vehicle.” He also repeated, without naming its source, a claim that two witnesses who watched the disc through binoculars had seen a ladder and two entities.

Sources: Anatomy of a PhenomenonPassport to MagoniaThe Invisible College

The Portuguese dossier

The ufological reading acquired its most serious advocates at home. In 1978 the historian Fina d’Armada was allowed into the Sanctuary archives, and with the Porto researcher Joaquim Fernandes she published Intervenção Extraterrestre em Fátima (Extraterrestrial Intervention at Fátima) in 1982; the English version, Heavenly Lights, appeared in 2005 with a foreword by Vallée. Their method was to go back to the first interrogations, before decades of devotion reshaped them, and assemble a composite portrait of the being the children actually described: about 1.1 meters tall, looking twelve to fifteen, a skirt that never passed the knees, something on her head that covered ears and hair, and from her neck a cord with “uma bola luminosa,” a luminous ball, at waist height. She moved neither her face nor her lips when she “spoke,” they wrote, and did not move her legs when she withdrew backward into the sky. In their reading the ball became a “heart” in Lúcia’s 1941 memoir and, a few dozen pages later, the Immaculate Heart of Mary. D’Armada tracked down surviving witnesses. Lúcia’s sister Maria dos Anjos told her she too had heard the buzzing when Lúcia listened to the Lady, and when asked whether it sounded like a swarm, answered: “Não. Só uma!” No. Just one. The same archives held a detail Fernandes calls a fourth seer: Maria Carreira testified that on July 28, 1917, her twelve-year-old daughter Carolina and a seven-year-old girl from Espite saw a small, very beautiful, fair-haired figure beside the holm oak, and that Lúcia later said the Lady called it an angel.

Sources: As “aparições” de Fátima, 1917Heavenly Lights: The Apparitions of Fátima and the UFO PhenomenonProcesso canónico: depoimentos de setembro de 1923

A chapel, a bomb and a verdict

Francisco and Jacinta Marto both caught the influenza of 1918. Francisco died at home on April 4, 1919; Jacinta died in a Lisbon hospital on February 20, 1920. Villagers built a small chapel over the site of the tree between April and June 1919, and the first Mass was permitted there on October 13, 1921. On March 6, 1922, someone blew its roof off with dynamite; it was rebuilt that year. In May 1922 the new bishop of Leiria, José Alves Correia da Silva, opened a canonical inquiry, and on October 13, 1930, he declared the children’s visions “worthy of belief.” Lúcia became a nun and, between 1935 and 1941, wrote memoirs that added an Angel of Peace who had appeared to the children three times in 1916 and a figure “like a statue of snow” seen in 1915. The 1917 interrogations record only Lúcia’s memory of a white figure on a tree in the hills, “a person wrapped in a sheet,” seen the year before the apparitions. The third part of a secret she said the Lady had entrusted to her was published by the Vatican on June 26, 2000. Lúcia died in 2005, aged ninety-seven; Francisco and Jacinta were canonized at Fátima in May 2017, a century after the first flash of lightning.

Dark, grainy black-and-white photograph of a small whitewashed chapel with its roof torn open: broken roof boards and a cross hang askew against a pale sky above a bare white back wall; a girl in a headscarf stands inside beside a seated figure, and women in dark shawls stand in shadow at the left.
The Capelinha das Aparições after the bombing of March 6, 1922, built over the site of the holm oak less than three years earlier. Unknown photographer. Public domain, via Wikimedia Commons. Image source

Sources: Aparições de FátimaA Providência DivinaInterrogatórios do Cónego Manuel Nunes FormigãoProcesso canónico: depoimentos de setembro de 1923The Real Secrets of Fatima

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Sources & interviews

Interrogatórios do pároco de Fátima (maio–julho de 1917)Father Manuel Marques Ferreira’s notes of the children’s first accounts · Documentação Crítica de Fátima: Seleção de documentos (1917–1930), Santuário de Fátima, 2013, Docs. 1–3Especulação financeira?O Século (Lisbon) · July 23, 1917 · the first press report, from a correspondent at Meia-Via · DCF selection, Doc. 4Interrogatórios do Cónego Manuel Nunes FormigãoCanon Formigão’s questioning of the three children on September 27, October 11 and 13, and November 2, 1917, with his private doubts · DCF selection, Docs. 10, 11 and 22Interrogatório do Padre José Ferreira de LacerdaOctober 19, 1917 · where Jacinta measures the Lady against a twelve-year-old girl · DCF selection, Doc. 15Carta do Padre Manuel Pereira da SilvaA letter written at Monte Redondo at 9:30 p.m. on October 13, 1917, hours after the event · DCF selection, Doc. 12Coisas espantosas! Como o sol bailou ao meio dia em FátimaAvelino de Almeida · O Século (Lisbon) · October 15, 1917, datelined Ourém, October 13 · DCF selection, Doc. 13Relato de Leonor de Avelar e Silva ConstâncioWritten in late October 1917 · an eyewitness of August 13, September 13 and October 13 · DCF selection, Doc. 17Depoimentos de testemunhas de Porto de MósSixteen sworn statements taken by Father Joaquim Vieira da Rosa on October 25, 1917, at the Patriarchate’s request · DCF selection, Doc. 19O milagre de Fátima (Carta a alguém que pede um testemunho insuspeito)Avelino de Almeida · Ilustração Portuguesa no. 610 (Lisbon) · October 29, 1917, pp. 353–356 · page scan on Wikimedia Commons; text in DCF selection, Doc. 21Relato publicado no Correio da BeiraSigned “J.” (Maria José de Lemos Queirós), written October 30 and printed in Correio da Beira (Viseu) on November 10, 1917 · DCF selection, Doc. 23Relato de João Maria Lúcio SerraDated November 13, 1917 · the evenly spaced oval lights on the horizon · DCF selection, Doc. 25Relato de Maria Augusta Saraiva Vieira de CamposA Coimbra pamphlet written October 19, 1917 · DCF selection, Doc. 26Cartas de Gonçalo de Almeida Garrett e relato de José Maria de Proença de Almeida GarrettThe father’s letter of December 3, 1917, and the son’s eyewitness account of December 18, 1917, both sent to Canon Formigão · DCF selection, Docs. 28 and 29Inquérito paroquialDepositions of Jacinto de Almeida Lopes (December 20, 1918) and Manuel Gonçalves Júnior (December 31, 1918) for the parish inquiry · DCF selection, Docs. 39–40Relatório do pároco de FátimaFather Manuel Marques Ferreira · August 6, 1918 · with his month-by-month crowd estimates · DCF selection, Doc. 36Depoimento de Inácio António MarquesNovember 23, 1922 · the white bodies of September and the drying of wet clothes · DCF selection, Doc. 72Processo canónico: depoimentos de setembro de 1923Sworn statements of Maria Rosa dos Santos, Manuel Pedro and Olímpia Marto, Maria Carreira and others, September 23–28, 1923 · DCF selection, Doc. 80Interrogatório oficial de LúciaJuly 8, 1924, at the Asilo de Vilar in Porto · DCF selection, Doc. 82Relatório da Comissão CanónicaApril 13, 1930 · quotes the astronomer Frederico Oom of the Lisbon observatory; the editors’ footnote identifies the “sun photographs” as May 1921 pictures by Alfredo J. de Mendonça · DCF selection, Doc. 120A Providência DivinaBishop José Alves Correia da Silva of Leiria · pastoral letter of October 13, 1930, declaring the visions worthy of belief · DCF selection, Doc. 133A Verdadeira História de FátimaFather John de Marchi · Portuguese edition of his 1940s–1950s compilation of interviews, including Monsignor João Quaresma’s account of September 13 and the Alburitel witness · PDF hosted by the Fatima CenterSky Phenomenon at FatimaAustralian Flying Saucer Review, vol. 1, no. 3 · September 1960, pp. 6–7 · the earliest explicit UFO reading found, printed beside “Angels Are Men from Space”Forbidden Science: Journals 1957–1969Jacques Vallée · North Atlantic Books, 1992 · entry of September 18, 1962, on a visit to Paul MisrakiAnatomy of a PhenomenonJacques Vallée · Henry Regnery, Chicago · 1965 · “Fatima: the Miraculous UFO,” pp. 204–207, drawing on Misraki and on Antonio Ribera in Flying Saucer Review (1964)Passport to MagoniaJacques Vallée · Henry Regnery, Chicago · 1969 · Fátima among the church-recognized cases that are “nothing more than UFO phenomena”The Invisible CollegeJacques Vallée · E. P. Dutton, New York · 1975 · chapter “What Happened at Fatima,” reprinted in Dimensions (1988)As “aparições” de Fátima, 1917Joaquim Fernandes · Revista Athena · May 11, 2017 · the composite portrait of the Lady drawn by Fernandes and Fina d’Armada from the Sanctuary archives, and d’Armada’s 1978 interviewsHeavenly Lights: The Apparitions of Fátima and the UFO PhenomenonJoaquim Fernandes and Fina d’Armada · EcceNova, 2005; Anomalist Books reprint · translated by Andrew D. Basiago and Eva M. Thompson, foreword by Jacques ValléeApparitions and Miracles of the SunAuguste Meessen (Université catholique de Louvain) · International Forum “Science, Religion and Conscience,” Porto, October 23–25, 2003 · proceedings, Universidade Fernando Pessoa, pp. 199–219The Real Secrets of FatimaJoe Nickell · Skeptical Inquirer vol. 33, no. 6 · November–December 2009Miracle of the SunWikipedia (English) · summaries of Steuart Campbell (1989), Stanley Jaki (1999) and Kevin McClure (1983), and De Marchi’s quotation of the poet Afonso Lopes VieiraAparições de FátimaWikipedia (Portuguese) · chronology from the children’s births to the 2017 canonization, after the Sanctuary’s own timeline

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Connected files

The Silver Threads over FlorenceAnother crowd looking up, and white filaments falling from the sky, cousins of the white flowers and snow-white bodies reported at Fátima in September 1917.The Sky Battle over NurembergGlobes, crosses and a darkened sun read as a sign from God, centuries before anyone thought of saucers.The Sign of ShambhalaTen years after Fátima, a shining oval over the Gansu uplands was taken as a spiritual sign by the people who saw it.The Night the Sky Waved BackPriests as witnesses, figures in the light, and an event that ufologists and churchmen read in very different ways.The Ariel School EncounterSchoolchildren who said a being gave them a message without words, and a message they carried into adulthood.
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